When walking around New Delhi and getting lost in the backstreets, I came to an active area where everyone was selling accoutrements for the Diwali festival. I think the ladies knew that I was not a potential buyer, but all of them on the street were very happy to show me what they had to sell. Delhi itself is a very gray and dusty town, so it makes these colorful outfits and flowers stand out even more.
This is Humayun’s Tomb in Delhi. It’s a wonderful place full of a rich bouquet of textures and light. There isn’t a bad shot of it to be had in this well-preserved Moghul tomb, and these light levels were made for HDR.
I’ve put another image of this tomb in the upcoming book. I talked a little more about the shot and some additional explanation about how it was made. When I go around and give talks, get feedback, and hear all the comments here on the blog, flickr, and facebook, I get a lot of repeat questions. I think the book will be a good chance to get them all in a nice definitive place where almost everything can be addressed. At least, I hope so!
The Taj Mahal is an extremely crowded place! People from all over India, which tends to have a lot of people, come visit this mausoleum from every corner of the country. It’s right near the northern border of the country, and I know first hand how difficult the journey can be to get to this point.
Just beyond one of the official entrances to the Taj is the interior of a huge gatehouse, that was teaming with people trying to get a closer look. I held the camera high in the air after trying to position myself as centered as possible to try to capture a sense of the huddled masses.
These three guys spent at least eight hours out in the bay of Mumbai (Bombay is the British name) scooping up junk into their little boat. I know this because I kept passing the same place over and over again by the seafront. This was actually right by the Taj Mahal Hotel that was recently bombed, so I remember it very well.
After my third go-around, I leaned over the sea wall as they approached. After I got a few shots in, they all waved happily. There were not many white people around there, so I think I kinda stuck out, especially with the big ol’ camera.
India is full of timeless slices of life like this.
I set up for this shot and then sat there for a while. I had heard some sort of aviary commotion and hoped that creatures would come streaming out at some surprise moment. I kept my finger over the trigger just in case, and then, like magic, they all came ripping out with quite a commotion. After this, I packed up my tripod and decided to head towards this little temple to see what was inside. I’ll be sure to put those up in coming weeks…
I found this daunting chap while trekking to northern India. We stopped to rest on the long road to Agra at a fairly imposing little structure on the side of the road. I was curious to see if I could find a drink or maybe a bit of food.
As I approached, this guy stood out front. I was pretty sure he didn’t speak English. We regarded one another for a bit. I tried to survey the authenticity of his weapon and the his circumspect agility. He examined at my anachronistic garb and camera for a bit. Then I gave him the international symbol for, "Can I take a photo?" He stiffened proudly in a pose. I took a quick shot, nodded, then passed by to see what he was guarding within.
I was barefoot like the rest of them.
The day must have been around 95 degrees and as stuffy as can be, but the cool marble seemed to keep me from being drenched in sweat. After a long walk, I had finally made it to the inner core of the Taj Mahal, around the main tomb structure where pilgrims from all over the country had gravitated. The faithful coiled in long lines and snaked their way around the complex, waiting patiently to reflect at the megamausoleum and communing with the god of their choice. How could a billion people be wrong?
When I travel, I actually always enjoy talking to Indians (or whoever) about their religion. Here is a little thing I do… I’m not sure it’s totally ethical since I say the same thing over and over, but I enjoy seeing people’s reaction as a probe a panoply of personalities. Inevitably, when I’m in a taxi or man-powered trike-mobile, there is some sort of deity that is jiggling about on the dashboard or handlebars. It can be anyone from Shiva to Brahma to Vishnu to Krishna to Ganesha and beyond.
So, I always ask, “Who is the god to whom you pay reverence?”
They respond quickly and directly, usually naming one from of the top ten from the pantheon of possibilities.
I respond back, in all seriousness, “Oh! He is a very powerful god!”
To this, they always turn to me and nod gravely.
My guide there was from no from one of the traditional Hindu sects — he was a Jain. The Jain don’t recognize the divine origins of the Vedas (made popular in the US from Oppenheimer’s re-quote after testing the Bomb), nor do they believe in any one supreme deity. They instead revere Tirthankaras who have raised themselves to divine perfection. So anyway, if you ever try out the little trick above, don’t bother with a Jain because they will just give you a funny look and a wobble of inconsequential solitude.
So if any of you get the chance to go, I recommend it. The people are all nice as can be and very eager to engage in conversation about just about everything. Or, of you’ve already been, then you know what I mean!
By the way, this comes from my new Lucis Tutorial.
Do you recall this tale?
The Persian king Shahryar got somewhat upset with one of his wives, had her killed, then married a fresh virgin each day. Then he had them beheaded the following day, which was generally bad in form. Then, as the kingdom ran out of women, the vizier’s own daughter, Scheherazade, married the king with a plan… She told him such interesting stories and things night after night (1,001, to be exact), he became endlessly enraptured.
The road between Delhi and Agra is really somthin’ else. If you are not swerving around giant potholes, it could easily be a dead cow, a live cow, or something in between. It’s never good to make fun of the cows with your driver, so that is right out.
I’m adventurous on these things… probably too adventurous. I always like to try new foods, and I’ll eat about anything from street vendors. Usually if it looks thoroughly cooked, it generally won’t get me sick…I’ve developed a tough stomach, although I did end up getting a bit sick in Mumbai… but I think that is because I was dumb and let some mysterious ice melt in my cup.
It was a long drive to Agra, and in little towns, the traffic would slow. I occasionally jumped out of the car to get some little snack (and take photos, of course!). Here is one of an interesting chap that had some food I could not pronounce.
I sensed a profound sadness in him. He was totally alone, seemingly waiting there for someone or something. I’ll never forget it.
His name was Marzouq. He was nice and solemn. As we talked I certainly felt an emptiness there with him. I’m not sure what it was, but it was like there was something wholly unrealized in his life. While we talked, he looked at me strangely at times, a look of not knowing what to think of me and accepting me at the same time. It was comforting, and he was nice to talk to. He created the distinct impression that he was thinking about my questions before answering.
We were there, totally alone, in an unexpected rear corner of a Moghul monument. I always like to go around the backside and try to see the things that are not obvious.
After sitting to rest and talking a bit, he motioned behind him with a quick glance and raised eyebrows, and said cheerfully, “Want to see the bats?”
I said, “Are you kidding? Let’s go.”
Marzouq ducked down about ten feet from a smallish door with hard black shadows shooting inside. He began a near crab walk even while approaching the tiny door. I ducked my head too, which felt strange in the open air. Maybe he was afraid of bats streaming out, which I suddenly realized, causing me to duck down a little more than him.
He made little grunting sounds and kept waving his hand to the side for me to follow. After entering the door, a short walk, and a few turns, we ended up in what felt like a chamber. It could have been darker in there, but I don’t know how. He grunted in a way like “watch this” and he flipped on a flashlight, shining it up into the half-domed room. There were hundreds of bats hanging there, totally silent. It was eerie as heck. I set up my camera but it was way too dark even with a slow shutter speed… and I didn’t feel like light-painting with the flashlight because I thought it might look stupid and not really capture the mood anyway. We sat in there for a while handing the flashlight back and forth and making little grunt sounds. It was very strange, but entirely delightful.