Peter Takes Times Square
This is a weird one. Now, I don’t know Peter Lik, and I can’t figure out why in the world he would do this on his Facebook page I got a ton of tweets and emails about it. Anyway, it seems like a pretty sorry thing to do.
I don’t really understand. Peter’s photos are just fine on their own… he (and/or his team) should not need to do something like this. What do you think?
Also, see this video of Lik’s new TV show.
All my photos are Creative Commons Noncommercial. It means anyone can use them with proper credit, as long as it is not for commercial purposes. So, kind of two strikes here. No credit AND this is a commercial purpose. The Internet Knows All. For reference, the original New York City shot is here.
1) A rambunctious discussion started on Facebook, and then
2) Peter Lik’s team removed the post (a copy for reference), and then
3) A gentleman from their social media team apologized on our Facebook wall.
My Facebook Page
Lest you be confused, pop over to good ol’ “Trey’s Facebook Page”, where you are welcome to continue sharing your own work and I can leave comments for you!
365 New Photos a Year
This is tough! A daily photo that I consider worthy! I’ve kept it going at a good 99% rate here for the past few years, but it takes a lot of work. I’m not gonna lie. This came up in the recent Mostly Photo show with Leo Laporte and Lisa Bettany (PS Leave comments there on YouTube for feedback). I guess people might think it is easy to do this every day… or maybe I am accidentally making it look easy. But, rest assured, it’s hard as hell.
Daily Photo – The Pier at the End of Times
Here is a good tip for you when it comes to sunsets. It also works if you have something in the center worthy of attention, which is commonly the case with sunsets.
When you use a wide-angle lens, like this 14-24, you will automagically get a feeling that everything is pointed to the middle. That is obvious, but you can “help the cause” and make the effect more pronounced by doing the following. If the there are repeating elements of roughly the same size (in this case: 1- slats of a dock and 2- blobs of clouds), then those elements will create leading lines to the horizon as they get logarithmically smaller towards the infinity point. In a sense, the slats only do part of the job, but the clouds do the rest of the job. Then, this allows you to have leading lines that take people in and out and back around the work.
So, one thing to look for when shooting with the wide angle lens is multiple objects of roughly the same shape. After that, you can try to set up so they repeat ever smaller towards the horizon.
This particular photo was taken in Ibiza one evening, just after the sun dipped into the Mediterranean.