Friday March 1, 2013

Sony NEX-7 Review

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UPDATE: Firmware update for Expanded Auto-Bracketing!

Get the New Firmware Update Here to get your exposure bracketing all the way to 3.0 EV! You can take 3 frames at 1, 2, or 3 EV now! For HDR, I still suggest 3 exposures at 2 EV, which would be -2, 0, and +2.

The other cool firmware update allows you to disable that pesky movie button that always seems to get pressed by accident!

My Reviews

My camera reviews are strange. I’m just a guy that likes to bend cameras to my will. I’m very practical and matter-of-fact. I don’t get into all the specs beyond the basics. I understand all the specs, but I won’t burden you with strange numbers that may confuse most people. I do work the cameras hard, and I will just talk to you about the camera like a regular guy… I hope this is okay.

I bought this camera myself right before a Disney cruise because I wanted to experiment with it. I wanted to take shots of the ship, of my kids, of action, the beach, and more. And — I ended up very pleasantly surprised!

NEX-7 Review Video

I had a show (on my podcast) about this very camera where we had several NEX-7 users talk about it – enjoy!

My Thoughts on the Sony NEX-7 Camera

I love it!

I’ve been using it for about 50% of my shots recently. You may know that I believe that “mirrorless”, or 3rd generation cameras, are the future of photography. To me, this is the first camera that is stepping firmly into the fighting arena.

Let me tell you my situation with mirrorless and mirrored (DSLR) cameras.

I also have a Nikon D800 that I use for my “Epic” shots. It’s a 36 megapixel camera that is a bit more robust with a wider array of lens selections than the Sony NEX-7. It’s also more than twice as much in cost (and weight, and bulk, and hassle…).

Even though neither of these cameras is mutually exclusive, and you can take ANY kind of shot with EITHER camera, here is how my shot selection is breaking down:

Sony NEX-7 Shots

  • Casual outdoor shots when just walking around – cool signs, interesting cars, street photography, found objects, shop windows
  • Kids and action and parties. It was pretty much my main “walk-around camera” at Disneyworld and the cruise ship

Nikon D800 Shots

  • Landscapes on a tripod in low-light or at night

The Lupines at SunsetSo here is a cool thing about this photo that one might not guess. This was taken with a Sony NEX-7 and the kit lens! Yes, the kit lens.This was shot on Baker Beach in San Francisco one evening when I was exploring…. I was double-fisting it with two cameras… and I saw this quick scene so I went for this experimental shot.- Trey RatcliffClick here to read the entire post at the Stuck in Customs blog.

The above photo was taken with…. drumroll… the Sony NEX-7! And the kit-lens, no less!

Wait, you don’t use the Sony NEX-7 for Landscapes? I want to shoot landscapes!

Whoa whoa… hold on there cowboy… I didn’t say the NEX-7 was bad for landscapes — I’m just telling you my situation. The D800 is better for landscapes, so I use that. However, the NEX-7 will be just fine.

If you are in a low-light situation, you will want to use a tripod. You won’t be able to get a good clean shot if it is dusk or night with the NEX-7 if you are trying to do it handheld. You can crank up the ISO very very high to try to get a shot without blur, but the noise will be pretty violent. The noise will be so bad, in fact, that it will be beyond the help of Lightroom noise reduction.

HDR Photo

Above: I just took this photo a few days ago with the NEX-7 and the 10-18mm lens. I don’t think I could have done any better with the Nikon D800.

 

Sony NEX – First Three Lenses

If you are just getting started and want recommendations on your first three lenses, here they are. Often times a camera will come with a “kit lens” that is pretty versatile and can get you a long way. The Sony NEX-7 comes with a 18-55mm lens that produces great pictures. But there are many lenses that are better for more specialized situations.

What do you like most about the Sony NEX-7?

It’s hard to rank these, but I will try!

  • I love the small size. It’s so tiny and light. The lenses almost float around in the air while I am changing them.
  • I LOVE the EVF (electronic viewfinder). I can put my eye up to it and everything blacks out. The image inside is crisp and clear and often better than reality! It’s so strange!
  • And, even better, the EVF has all these data overlays so you feel like Luke Sywalker looking through those techno-binoculars on Hoth.
  • I love the kit lens! I know — what a thing to say! When I first got it, I also bought the 16mm 2.8 lens, which I also like. But I’m mostly keeping the kit lens on… I’m getting a lot of flexibility out of it. BTW – the kit lens is a 18-55mm f3.5-5.6
  • The 16mm 2.8 lens is soooo tiny and light. It weighs about the same as 4-5 poker chips!
  • I love the reticulating screen. I take a lot of shots at waist-level (street shots, kid shots), and it is very nice to angle that thing up so I can check my composition.
  • I love being able to just press one button and quickly take an HD movie!

Okay okay… what DON’T you like about Sony NEX-7?

These are mostly minor… and I’m happy to know they will go away in future iterations of these mirrorless cameras.

  • In low-light, I can’t get a clean shot without the flash
  • In low-light the live view looks very grainy through the EVF. The final shot has very little grain, but that bit is a bit annoying
  • The battery could last a little longer. But, I’ve gotten used to turning off the camera between uses. This makes the battery last all day, or long enough to fill up a 16 GB card.

Toughness

The camera feels like a solid hunk of metal without being too heavy. I even dropped it in my hotel room, and it was so light that it hardly hit the ground! It reminds me of a 3-year-old falling down… the kids are so light that it is almost impossible to get hurt. If I ever dropped my D3X, anything below it would get destroyed like Godzilla!

Lenses

I’ve only used 2 lenses, but I understand there will be 14 lenses for this Sony “E-system” available by the end of the year. That seems like more than enough lenses to me. I probably won’t be able to find lenses that I like as much as ones for my Nikon DSLR for another year or so (like the 50mm 1.4 or the 14-24nn 2.8), but a girl can dream…

HDR Photo

Above: The NEX-7 can really take some incredible photos. Wait, I took it. Well, you know, the NEX-7 helped… But yes, it’s a lovely camera. Oh, and this is the kit lens!
ISO 100 45mm f/7.1 0.0166s (1/60)

Controls

The controls are fun even though the UI is quite complex.

I’m sure the UI is simple to your average Japanese techno-nerd, but I can see them being pretty confusing to the common man. I had no trouble in the menu system and UI because I’ve been using cameras for a while, but I can see how it may be confusing.

Intelligent Auto (iA)

This is the “friendly green” mode on the selector dial. It’s really smart — and I mean REALLY smart. I’m a pretty hardcore camera guy, you see. I’m sort of one of those always-in-aperture-priority mode kinda guys. That means I’m used to controlling the aperture and the ISO to make sure I get the photo I want, while letting the computer choose the shutter speed. However, I decided just to try Intelligent Auto mode for about 50% of my shots, and it ended up doing a FASTER job in most cases.

The decisions I would have made were made by iA even faster. For example, I would move from indoor situations to outdoor situations, and the iA mode would figure it out even faster than I could. And the speed is important when things are happening around you. It would also turn on things like auto-stabilization and figure out when you are taking a portrait of a person. It was smart — scary smart.

Look – I’ve never been one to ridicule those that just leave their camera on “Auto”. Some photographers will do that because it makes them feel superior that they understand all the various ways to use ISO, Aperture, and Shutter Speed. But with this NEX-7, I was so pleasantly surprised by the iA choices, that I am inclined just to leave it in that mode most of the time! This way, I can just worry about choosing the subject matter and the composition. I can pretty much guarantee that the exposure will be just right.

I have forced it into Aperture Priority mode when I want to take a long exposure in the dark, for example. I set the ISO to 100 and I let the shutter stay open a long time while the camera was stable. The results were great. iA would not have figured that out — it would have cranked up the ISO and made a bad shot… but this is the exception rather than the rule.

Other UI Controls and Shooting Modes

There is so much to say here! All of these are finer little points, so I’ll just make a bullet-point list.

  • You can very easily change the speed of the shooting all the way up to 10 FPS (frames per second) if your subject is not changing focus.
  • There is a panorama mode that is very fun and easy to use. You can just kind of sweep your camera across the horizon or up and down.
  • The panorama mode also lets you hold the camera in portrait orientation and swing sideways. Cool!
  • The Auto-bracketing mode will not work in iA — you need to be in another mode to enable that.
  • The top dials are customizable
  • There are many other wacky shooting modes I have not really used much, so I can’t comment on them.

Auto Bracketing

The bracketing is much improved with the newNew Firmware Update. Now you can go all the way from -3.0 EV to +3.0 EV!

In-Camera HDR

It’s not that bad! I had low expectations, but my samples turned out pretty well. I don’t have any to share now, but I looked at them in-camera, and here were my findings:

  • It takes 3 exposures
  • It automatically corrects the ghosting and does an excellent job of it!
  • The HDR effect is very subtle.
  • I’ve only tried it in a few situations, and I need to experiment more.
  • I still generally prefer to do the HDR in software outside of the camera, where I have more control over the tonal range and final image.
  • In comparison to the iPhone HDR, the NEX-7 generally does a better job.
  • Sadly, the NEX-7 saves all these images as JPGs, so there is no way to get anything more out of a RAW file.

Movie Mode

It works well enough. I did not take many movies with it, but I was impressed at the high-quality, the autofocusing, and the overall ease of making it all happen.

Overall Objective Decision Tree…

If you’re just getting into photography and scared of big DSLRs, this Sony NEX-7 is definitely the way to go.

If you are a veteran DSLR shooter that is needs action-photography performance, low-light sharpness with excellent ISO performance, or the flexibility of a robust lens system, then the Sony NEX-7 may not be for you.

Further Testing

I’ll continue to use the Sony NEX-7 over the next several months and I’ll add more and more to this review over time… consider this a “living review.”

Sample Shots

Below are many shots I’ve taken with the camera. They’re not all works of art or anything – just a variety of situations that show the flexibility of the camera.

Note that all of them have seen at least a little bit of Lightroom love, and only two of them (on the bottom) have an HDR treatment using my usual process from the HDR Tutorial.

EXIF Info?

I have made all the photos below available for you to see their EXIF info – just click on them to go through the SmugMug site so you can see more (hit the ‘info’ button on the page). Basic info is below each photo.

HDR Photo

Above: Here is another photo I took a few days ago here near Queenstown with the 10-18mm lens.

 

HDR Photo

Above: My son and daughter play in the ocean in Virgin Gorda… Kit lens.

 

HDR Photo

Above, a path in Glenorchy. Kit Lens.

 

HDR Photo

Above, a fun photo while using the Leica-mount and f/1.2 lens.

 

HDR Photo

Here’s a shot of my friend Ben, who is the founder of Pinterest.

 

HDR Photo

My kids playing on the rocks…kit lens.

 

HDR Photo

Above: This is an HDR shot with the NEX-7 kit lens. I did three exposures then did the steps from the new HDR Tutorial.

 

Taken with the Sony NEX-7.  I took that with the kit lens. Let me repeat – I took that with the KIT LENS ! :)  - Read my full review here.

Above: I took that with the kit lens. Let me repeat – I took that with the KIT LENS ! :)
ISO 200 55mm f/5.6 0.05s (1/20)

 

Indy via Sony NEX-7The new review is up! See the Sony NEX-7 Review.I bought one a few weeks ago and have been using it quite a bit. I really like the camera! This is a scene from the Indiana Jones Show at Disneyworld. I was sitting back in the audience, and I used the kit lens to zoom all the way in as close as I could. I could crop and still get an image that was 5200 pixels across!Since I was able to take so many photos so quickly, I was able to pluck out the frame that had the most interesting action -- when the big German guy flipped up Indy into the air...- Trey RatcliffClick here to read the rest of the post at the Stuck in Customs blog.

Above: A scene from the Indiana Jones Show at Disneyworld. I was sitting back in the audience, and I used the kit lens to zoom all the way in as close as I could. I could crop and still get an image that was 5200 pixels across! Since I was able to take so many photos so quickly, I was able to pluck out the frame that had the most interesting action — when the big German guy flipped up Indy into the air…
ISO 100 55mm f/11 0.0062s (1/160)

 

Taken with the Sony NEX-7.  Taken at dinner with the 16mm 2.8 lens. - Read my full review here.

Above: Taken at dinner with the 16mm 2.8 lens.
ISO 1600 16mm f/2.8 0.02s (1/50)

 

Tim LincecumI was down on the field with the SF Giants before a recent game. I got down there because Tom Anderson sent out a tweet, and the marketing manager for the SF Giants responded and got us in! So, we were able to go anywhere and do anything before and during the game. It was great! I made full use of it.I had my giant D800 Camera out there (see the Nikon D800 Review for more baseball photos from that evening), but I also had my Sony NEX-7. Tim came running by me at one point, so I quickly got in position and snapped away to grab this.- Trey RatcliffClick here to read the entire post at the Stuck in Customs blog.

Above: This photo used the in-camera HDR function. Lincecum was running at full speed. It snapped three photos, but, as you can see, there is no ghosting.
ISO 100 48mm f/6.3 0.0031s (1/320)

 

I got this thanks to the 10 FPS mode for the single-focus rapid-fire option. I got about 8 shots off before Ethan landed in the water. This photo has had Lightroom adjustments. See the NEXT photo for a zoom in of Ethan.

Above: I got this thanks to the 10 FPS mode for the single-focus rapid-fire option. I got about 8 shots off before Ethan landed in the water. This photo has had Lightroom adjustments. See the NEXT photo for a zoom in of Ethan.
ISO 100 18mm f/5 0.001s (1/1000)

 

Here is a zoom-in of Ethan. And, remember, since it is a 24 megapixel camera, this zoom in is STILL 1300+ pixels across!

Above: Here is a zoom-in of Ethan. And, remember, since it is a 24 megapixel camera, this zoom in is STILL 1300+ pixels across!
ISO 100 18mm f/5 0.001s (1/1000)

 

Here is a shot of Spring Bay in Virgin Gorda. I took 3 exposures using the Autobracketing and then my special HDR method to create this photo.

Above: Here is a shot of Spring Bay in Virgin Gorda. I took 3 exposures using the Autobracketing and then my special HDR method to create this photo.
ISO 100 27mm f/5.59 0.0010s (100/99999)

 

This is a single-exposure shot. There have been Lightroom adjustments.

Above: This is a single-exposure shot. There have been Lightroom adjustments.
ISO 100 18mm f/6.3 0.0062s (1/160)

 

Here is a good example of the in-camera HDR I took as our plan was landing on Virgin Gorda. It’s pretty cool, eh? I mean, perhaps it is a little rough, but it is a REALLY good example of how this camera works. It took 3 exposures, but you can see there is no ghosting. Also, the outside was extremely bright, but it looks well-adjusted here.

Above: Here is a good example of the in-camera HDR I took as our plan was landing on Virgin Gorda. It’s pretty cool, eh? I mean, perhaps it is a little rough, but it is a REALLY good example of how this camera works. It took 3 exposures, but you can see there is no ghosting. Also, the outside was extremely bright, but it looks well-adjusted here.
ISO 100 18mm f/5.6 0.008s (1/125)

 

This is an HDR from a single RAW file I got out of the NEX-7. There was a shaft of sunlight shining on the little plane as my family was about to crawl inside and brave the storm beyond…

Above: This is an HDR from a single RAW file I got out of the NEX-7. There was a shaft of sunlight shining on the little plane as my family was about to crawl inside and brave the storm beyond…
ISO 100 18mm f/13 0.005s (1/200)

 

Taken with the Sony NEX-7 - Read my full review here.

Above: ISO 1000 55mm f/5.6 0.01s (1/100)

 

Taken with the Sony NEX-7 - Read my full review here.

Above: ISO 1600 16mm f/2.8 0.02s (1/50)

 

Taken with the Sony NEX-7 - Read my full review here.

Above: ISO 320 19mm f/3.5 0.0166s (1/60)

 

Taken with the Sony NEX-7 - Read my full review here.

Above: ISO 640 16mm f/2.8 0.0166s (1/60)

 

Taken with the Sony NEX-7 - Read my full review here.

Above: ISO 1600 27mm f/4 0.0666s (1/15)

 

Taken with the Sony NEX-7 - Read my full review here.

Above: ISO 320 18mm f/3.5 0.0166s (1/60)

 

Taken with the Sony NEX-7.   Here is an HDR shot that I made by combining 3 bracketed images. - Read my full review here.

Above: Here is an HDR shot that I made by combining 3 bracketed images
ISO 100 18mm f/3.5 0.004s (1/250)

 

Trey Ratcliff - Disney Cruise Fantasy - NEX7 - Day 5 (1 of 662)

Above: ISO 1250 18mm f/4 0.0166s (1/60)

 

Not bad for hand-held low light eh?

Above: Not bad for hand-held low light eh?

ISO 1600 18mm f/3.5 0.02s (1/50)

 

Trey Ratcliff - Disney Cruise Fantasy - NEX7 - Day 5 (263 of 662)

Above: ISO 800 18mm f/3.5 0.0166s (1/60) – With Flash (obviously)

 

Trey Ratcliff - Disney Cruise Fantasy - NEX7 - Day 5 (305 of 662)

Above: ISO 100 18mm f/4.5 0.0025s (1/400)

 

Trey Ratcliff - Disney Cruise Fantasy - NEX7 - Day 5 (347 of 662)

Above: ISO 100 18mm f/13 0.0062s (1/160)

 

Trey Ratcliff - Disney Cruise Fantasy - NEX7 - Day 5 (372 of 662)

Above: ISO 100 18mm f/5.6 0.008s (1/125)

 

Trey Ratcliff - Disney Cruise Fantasy - NEX7 - Day 5 (396 of 662)

Above: ISO 100 18mm f/13 0.0062s (1/160)

 

Trey Ratcliff - Disney Cruise Fantasy - NEX7 - Day 5 (662 of 662)

Above: ISO 1600 18mm f/3.5 0.0666s (1/15)

 

I zoomed in with the kit lens to get this shot. I was sitting back in the audience about 200 feet away, so I could not quite get in tight enough. But thanks to the 24 megapixels, I was still able to crop in to get a clean shot.

Above, I zoomed in with the kit lens to get this shot. I was sitting back in the audience about 200 feet away, so I could not quite get in tight enough. But thanks to the 24 megapixels, I was still able to crop in to get a clean shot.
ISO 100 50mm f/6.3 0.008s (1/125)