The Best Venice Shooting Time

Missed Venice?

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Daily Photo – The Best Venice Shooting Time

Whenever it started to rain in Venice, I would drop everything and get out there to shoot. Even better, it was just about to get dark so all the little businesses started to turn on their lights. That reflection of the ground simply cannot be beat. Luckily, this cute waitress gal happened to be walking right through the frame, so I was sure to grab a photo of her just as she passed in front of that bright spot.

The Best Venice Shooting Time

Photo Information

  • Date Taken
  • CameraILCE-7R
  • Camera MakeSony
  • Exposure Time1/200
  • Aperture5.6
  • ISO2500
  • Focal Length24.0 mm
  • FlashOff, Did not fire
  • Exposure ProgramAperture-priority AE
  • Exposure Bias

Amazing Shoes in Venice

Cool Shoes from A1923

I was hanging out with Simone Cecchetto and his wife Christina for several days. They design and make these incredible shoes… all handmade in Italy. More info at their website or on their Instagram.

Daily Photo – Amazing Shoes in Venice

We spent a lot of time in these water taxis in Venice. It’s such a fabulous way to see the city. It’s also way easier than walking around. They certainly aren’t inexpensive, so I tried to use every moment on them to capture as many photos as possible!

Amazing Shoes in Venice

Photo Information

  • Date Taken
  • CameraILCE-7R
  • Camera MakeSony
  • Exposure Time1/3200
  • Aperture
  • ISO250
  • Focal Length
  • FlashOff, Did not fire
  • Exposure ProgramManual
  • Exposure Bias

Venice is Just Around the Corner

Great Job Team Stuck In Customs!

Some of you may know we have a Charity page here. Well here’s a quick look at our global impact so far!

Kiva_-_Kiva_Lending_Team__Team_Stuck_In_Customs

Daily Photo – Venice is Just Around the Corner

I took this photo on my last day in Venice. I don’t know why it took me so long to find this area, but I’m glad I did. Next time I go back, its worthy of a lot more exploration!

Venice is Just Around the Corner

Photo Information

  • Date Taken
  • CameraILCE-7R
  • Camera MakeSony
  • Exposure Time1/1000
  • Aperture4
  • ISO250
  • Focal Length12.0 mm
  • FlashOff, Did not fire
  • Exposure ProgramAperture-priority AE
  • Exposure Bias

Simple Colors in the Old Part of Venice

Lens Correction

This was a little above me when I took the photo, so I used the Lightroom automatic lens correction to true up all the vertical lines. I don’t always do that, but if it is very close to vertical, I want to make it is as good as possible.

Daily Photo – Simple Colors in the Old Part of Venice

I can’t totally take credit for this shot, as it was found on one of my random wanderings with Rene. He and I would rarely have any kind of a plan other than just meandering. There was always food in the mix. That’s a sure thing with him. It’s truly unbelievable how much food he eats… he’s like a Tardis! Anyway, here’s a little thing that he saw on the way so I grabbed my own photo!

Simple Colors in the Old Part of Venice

Photo Information

  • Date Taken
  • CameraDSC-RX100M3
  • Camera MakeSony
  • Exposure Time1/800
  • Aperture1.8
  • ISO125
  • Focal Length8.8 mm
  • FlashOff, Did not fire
  • Exposure ProgramAperture-priority AE
  • Exposure Bias

1,000 Stories in Venice

On The New Screen Savers

Here’s the FULL episode, as what follows below is just the bit where I was on. Here’s the full description of the whole episode:

Hosts: Leo Laporte, Megan Morrone, Mike Elgan, Jason Howell, Fr. Robert Ballecer, and Bryan Burnett.

Mike Elgan takes us through the highlights of Google I/O, Photographer Trey Ratcliff talks about The Arcanum and photography with Voice Over Actor Jim Cutler, plus inside the Kickstarter project called Cubit.

And you can find out more about The Arcanum at www.TheArcanum.com

Screenflow Pro

A lot of people ask what I use to record my videos on my computer — I really recommend Screenflow Pro. It’s just a great program and very very easy to use.

Daily Photo – 1,000 Stories in Venice

I walked around a lot of these nights with my friend Rene. It was nice to wander around and see so many other people out and about. I think there were mostly locals around, sitting on steps or bridges, drinking and eating. I was amazed how many people I saw walking around with glasses of wine — very impressive, Italy, very impressive…

1,000 Stories in Venice

Photo Information

  • Date Taken
  • CameraILCE-7R
  • Camera MakeSony
  • Exposure Time4
  • Aperture
  • ISO100
  • Focal Length0.0 mm
  • FlashOff, Did not fire
  • Exposure ProgramManual
  • Exposure Bias-0.7

Vertical Venice

June’s Lightroom Presets are Live!

Jump over to the Trey’s Lightroom Presets Page to see what’s happening this month! Remember, they are half price for you on day one of each new month!

Staying up Late

I’m considering staying up all night during our upcoming Venice Photography Adventure on the final night. I absolutely love staying out late and taking photos. It could be an absolute blast… we’ll see if we have the energy at that stage in the adventure, but I like the idea of it.

Night is often a great time to shoot there because all the streets clear out and it’s very dark and romantic… just don’t fall into any canals!

Daily Photo – Vertical Venice

One of the best times to take photos in Venice is in the early morning. The light plays with the buildings in surprising ways. Also, since most of the city is not a grid-pattern, you never know what you’ll see as you look down one canal or cross the next bridge. It’s like a fabulous Venice-randomizer! Here's one of my favorite angles from one of the morning walks…

Vertical Venice

Photo Information

  • Date Taken
  • CameraILCE-7R
  • Camera MakeSony
  • Exposure Time1/100
  • Aperture5.6
  • ISO250
  • Focal Length85.0 mm
  • FlashOff, Did not fire
  • Exposure ProgramAperture-priority AE
  • Exposure Bias

Leaving Saint Mark’s Square in Venice

Venice Carnival Photo Adventure February 4-10, 2016 – €15,000 Euros – Sold Out

See the Venice Carnival Photo Adventure page! This is a very special trip to perhaps the most romantic and beautiful cities in all the world, Venice. This sold out in 48 hours after we first announced it in our Newsletter, so be sure to sign up for that to hear about this stuff first!

Even though we’re sold out, you can Contact Curtis to jump on Standby List in case of cancellation.

A Secret Entrance in Venice

Not far from this exit I found a really cool old bookstore that reminded me of something from Diagon Alley in Harry Potter. It’s full of all sorts of crazy old books, some in fabulous shapes. There is a sign that is chained across the door that says, “Please Wait for Attendance,” but no one ever comes. There’s a secret button you can push in the upper left just outside that will grant you entrance. So cool! I went in there and got a few gifts to bring home.

A few recent photos from Venice to get you excited…

Daily Photo – Leaving Saint Mark’s Square in Venice

Venice has thousands of tiny alleys that twist this way and that, and before you know it, you end up in another square. This is the biggest square, Ca San Marco, and there are about 7 exits to this square (as with most). Here’s my favorite of them all… as evening falls, this way is the most beautifully lit for another adventure in getting lost on purpose!

Leaving Saint Mark’s Square in Venice

Photo Information

  • Date Taken
  • CameraILCE-7R
  • Camera MakeSony
  • Exposure Time30
  • Aperture20
  • ISO64
  • Focal Length240.0 mm
  • FlashOff, Did not fire
  • Exposure ProgramManual
  • Exposure Bias

Visiting the Japanese Pavilion at the Venice Biennale

Snapchat Article

Here’s a new article entitled 8 Travel Bloggers You Should be Following on Snapchat.

The Venice Biennale

This was my first time to visit and it was not at all what I expected. Honestly, I had no expectations at all, but I knew a bit about it. For those that don’t know, this is like the Olympics of the art world, or like the Grammys, Tonys, or Academy Awards. It happens every two years in Venice. Many countries have their own permanent buildings that sit dormant for most of the time except for these occasional grand exhibitions.

Daily Photo – Japanese Pavilion 2015 – Key in Hand

This was one of my favorite exhibitions at the Biennale this year. I’m into visually striking things that slightly confuse and massively inspire you.

This is the Japanese Pavilion at the Giardini and it was made by artist Chiharu Shiota. It features thousands of keys, all individually hung by red yarn, connecting boats across the room. Here’s more about the exhibition from the Curator, Hitoshi Nakano:

Chiharu Shiota: “The Key in the Hand”

Hitoshi Nakano Curator, Kanagawa Arts Foundation

Berlin-resident artist Chiharu Shiota creates large-scale installations by stretching yarn across the exhibition space, and produces works out of materials that are filled with memories and traces of everyday life such as dresses, beds, shoes, and suitcases. She is notable for her skilled approach to the large installation format, which has become a special feature of the biennale in recent years. But Shiota’s choice of materials and the spatial structure of her installations maintains a sense of preeminent beauty without losing any freshness or power, quietly permeating our minds and bodies. Shiota’s work, which transcends linguistic, cultural, and historical contexts as well as political and social circumstances, and deeply affects viewers from all over the world, has been presented and esteemed in approximately 200 exhibitions in Japan and other countries throughout the West, Middle East, Oceania, and Asia.

After being confronted with the deaths of several intimate friends and family in recent years, Shiota has converted these experiences into the lingua franca of pure and sublime art without averting her eyes from the reality that all human beings must face “life” and “death” but that each of us must do so individually. At times, Shiota’s work conveys a sense of the “darkness” that is inevitably contained in the “unknown world” associated with death and uncertainty. Even today, four years after the Great East Japan Earthquake, it is conceivable that viewers from various countries visiting a large international exhibition like the Venice Biennale will be overwhelmed by the “dark” parts of her work due to its associations with a country that has suffered deep physical and spiritual wounds. In Shiota’s work, however, there is a powerful “light” of hope and spiritual brightness that dwells deep within the darkness. This is a light that is inherent not only in the tremendous anxiety that plagues Japanese people but in the precarious state of things all over the world.

In this exhibition, Shiota will integrate the gallery, located on what is essentially the second floor, and the outdoor pilotis on the first floor of the Japanese Pavilion. Upon entering the gallery, viewers will find a space filled with red yarn. Attached to the end of each piece of yarn, suspended from the ceiling, will be a key. In our daily lives, keys protect valuable things like our houses, assets, and personal safety, and we use them while embracing them in the warmth of our hands. By coming into contact with people’s warmth on a daily basis, the keys accumulate countless, multilayered memories that dwell within us. Then at a certain point we entrust the keys, packed with memories, to others who we trust to look after the things that are important to us. In this work, Shiota will incorporate keys as a medium that conveys our true feelings. Moreover, she will place two boats on the floor beneath the yarn and the hanging keys. The boats symbolize two hands catching a rain of memories (i.e., countless keys) pouring down from the ceiling. While struggling and working with the hands, the two boats will move forward through a huge sea of memory as they collect individual memories. Along with a large box located outside among the pilotis that will be used to display a photograph of a child holding a key in the palms of her hands, four monitors will show videos of small children talking about memories from before and immediately after they were born. By listening to them recounting memories from the time of their birth and looking at keys containing an accumulation of memories, we will experience two different phases of memory in the spaces. Prompted by the exhibition, we will discover memories contained within us, some of which will unfold and stay with us, and help us to form links with other people.

I look forward to watching as The Key in the Hand, an installation that forges a link between a space made up of keys, yarn, and two boats, and photographs and videos of children, transcends national, cultural, linguistic, and political contexts, and emotionally arouses countless visitors from all over the world.

Japanese Pavilion 2015 – Key in Hand

Photo Information

  • Date Taken
  • CameraDSC-RX100M3
  • Camera MakeSony
  • Exposure Time1/160
  • Aperture1.8
  • ISO500
  • Focal Length8.8 mm
  • FlashOff, Did not fire
  • Exposure ProgramManual
  • Exposure Bias-1

Stopping in the Bay of Naples for some Dinner

I always wonder what it would be like to have a non-stop boat-lifestyle. Having a boat… sailing up and down the Italian riviera… stopping in one little town for a snack… going to an abandoned grotto for some diving… sailing to a new port for dinner at sunset… I think that would be a nice life, eh?

This was shot in Naples. The city has a beautiful castle jutting out into the Bay of Napoli. It overlooks a cool harbor, a thriving shop and restaurant area, and Mount Vesuvius looming on the horizon.

I was told to closely watch all my camera gear and bags while walking around Naples. There’s supposed to be a lot of crime, and I don’t doubt it. But I didn’t see any while there. The biggest problem was only have 15 hours of daylight to shoot, and I felt like I was a bit robbed by the god of time.

Stopping in the Bay of Naples for Dinner (by Stuck in Customs)

Ahhh Italy!

I need to get back to Italy… It’s been too long… I’ve got a lot more places to visit and people to see. I’d love to go out shooting with my good friend Valerio again! Here are a few of my faves from ’round those parts.

The first is from a secret crypt under a church.  The second is Mount Vesuvius from the air.  The third shot across a farm near Pompeii.

Le Crypto

Mount Vesuvius from the Sky

Pompeii Fertile Garden under the Shadow of Vesuvius

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