Here it is, in its entirety. I pasted the questions that Pamela Stewart asked me below the video.
1. You were one of the first photographers I saw working in HDR. I had no idea what it was, I just knew that your photographs felt real and surreal. They reminded me of the best dreams I have ever had. The Gentle Path to the Beyond is probably my favorite photograph. I don’t even know if I can explain how that image has settled in my soul, but it has. There seems to be a split between those who think the kind of photographs you take are more “real” and those who don’t see that. For example, The Edges of the Flatiron just feels more like a real experience to me. The first historical photographs weren’t in color, so technically they weren’t real either. There is nothing that can duplicate exactly what each person’s eyes see. What do you wish to convey with your work?
2. Your photographs of Burning Man are some of the most luscious and warm I have seen. I especially like the one from this year of Embrace with the couple dwarfed by the giant sculpture, and yet the feeling we get of the couple is larger than any representation made in wood. Burning Man is a photographer’s dream, but it is so much more. How has the experience changed you?
3. You’ve become a teacher and a mentor to thousands online. I like that you add the technical information to your photos, which is great for photographers who aspire to learn your techniques. You must get a ton of questions. What do you wish people would ask you and what is the question that you really can’t answer anymore?
4. People want to know the secret to your photography, but isn’t the secret something inside you? Isn’t it something that all artists have that can never be duplicated by another? What is you secret, or is it something so nebulous that even you don’t know?
5. Given all the places you have traveled to and shared with us, while you focus on the beautiful, you must witness the dark side of humanity in poverty and the destruction of nature. Do you ever have the urge to turn you camera in that direction, or would you rather share positive light?
6. I love your drawings (there is one titled Scarlett, which captured me). What art or music inspires you? How does working in other media influence your photographic work?
7. A lot of people may be fans of your work, but have not read your bio and the fact that you are blind in one eye. Since you were born that way, it’s all you know. When we look through a viewfinder, we only use one eye, so maybe you were given this gift as a kind of second eye, although I kind of see it as a third eye because your art seems to be imbued with a spiritual and intuitive quality. I know you didn’t take up photography until later in life, and I get that because I didn’t start writing until I was in my late 30s. I don’t know if you believe in a higher power, but if you do, what do you think? How do you think this gift came to you?
8. You create some incredible videos of your work with a soundtrack. Do you have any desire to do something outside of still photography like a documentary film?
9. Do you have any upcoming plans or events you would like to shar
Daily Photo – Inside the Chinese Megapolis Waterslide Utopia
I was having a bad day in China, so I decided to go here and see what it was like.
I was there, invited by an arm of the government. I had this massive fight with them that morning. They do help set things up for me from time to time, but they told me I could only go to a “certain” location on the Great Wall at a certain time. I told them they were being ridiculous and the light would be horrible in the middle of the day. The idea that I would not follow their plan, which was completely arbitrary to begin with, was so foreign to them that they had no idea how to handle me. These people still have no idea what the hell to do with me… so aggravating. Anyway, I’m not gonna work with those people again; way too frustrating.
ANYWAY, after I had the fight, I told the driver to take me here, because I always wanted to go and see what it was like… it was super-awesome inside!
Inside the Chinese Megapolis Waterslide Utopia
Photo Information
- Date Taken2014-05-28 19:31:03
- CameraILCE-7R
- Camera MakeSony
- Exposure Time1/400
- Aperture4
- ISO400
- Focal Length15.0 mm
- FlashOff, Did not fire
- Exposure ProgramAperture-priority AE
- Exposure Bias+0.3
