Cali Lewis and John P are giving away my downloadable HDR Video tutorial. Head over to the Geekbeat.TV page to find out how to enter.
A Week of HDR Tips!
I’ve got a special thing-thing for you this week! A special week of HDR tips! Rick Sammon and I are doing this thing together for fun, and I hope it helps give you some good ideas to take your art in new directions.
Go see HDR Tip #1, along with links over to Rick’s blog as well!
This first tip is entitled, “Create Your Own Future”.
Daily Photo – A Gentle Stream Through New Zealand
All this news out of New Zealand is still upsetting. I’ve got a lot of contacts and friends down there… and I know it’s a rough time. Not much I can do… feel a little useless… so about the best I can do is post some serene and gentle photos of the nicer side of nature. I hope all my friends down there find it gets a little easier as the days move forward.
Besides the video below, there is an extended article with more behind-the-scenes stuff you might enjoy. Jim Swift from KXAN here in Austin did a nice story on the whole thing. And, thankfully, he cut out the parts of the video where we REALLY look like idiots.
If you scroll to the bottom of the KXAN Article the question came up and we addressed it there. I know you are excited about it! So am I, obviously! 🙂
The big video release is just two days away… It took me a small eternity to finish, but you’ll zip through the whole thing in a matter of minutes.
Daily Photo – Girl in Hat
One morning I woke up early to go visit the Summer Palace in Beijing. Since it was the week of the national holiday, I was not the only guy that woke up early. Around the outskirts of the palace, there were thousands of celebrants in all sorts of garb. And plenty of cute kids in fanciful headwear. I saw this little girl, so I got down to her level and took a quick shot with the 50 prime.
I hope this one is sharp enough for you… I know on Flickr sometimes I get a few photo-nerds that complain, “errr…you’re a little soft in the lower right quadrant.”.
I’ve been talking about this for a long time, so I wanted to go ahead and give you some free tips for on-the-street people photography.
From various conversations, I think that photographers are REALLY interested in taking photos of people they see on the street. We can’t help it, right? Our eyes are drawn to interesting “things” — not just landscapes. And if we see an interesting person, we really want to take their photo, yes? But then, often times, we don’t even pull the camera up to our eye because we are shy, embarrassed, or think about all the horrible things that could go wrong. So, maybe these tips will help!
Look, honestly, I don’t know if these will do you any good or not. But these are some things that I personally think about. So, insofar as some of my insights are useful to me, maybe they will be useful to you too!
Even though I’m known for “landscape photography”, I actually enjoy all kinds of photography! I take hundreds of people photos, object photos, food photos, model photos, B&W photos, etc. I assume that you take many types of photography too.
1) If you prefer to take photos of people as they are acting naturally, go ahead and take the photo before they notice you. You are a photographer, and this is you. You capture life… if you see something interesting whether it is a landscape, a pile of peaches, or a person that strikes your fancy, go ahead and do it. If you like and it is convenient, you can always go show them the photo after you are done. I do this whenever it makes sense, and I have a nice little interchange with the person.
2) Keep an extra camera ready for people shots. When walking the streets, I normally have my “big” camera ready to go for city landscape shots. My tripod is on. My wide-angle is on. It’s in that “mode.” If I am going to have to switch lenses, it will take forever, and the moment will be lost. So, I carry a second camera on a sling around my shoulder for people shots. On that camera, I have an 85mm or 50mm prime lens. Now, you don’t have to have this exact setup by any means, but having ANY kind of second camera for people shots is recommended.
2b) I find that the 85mm prime keeps me outside something I call the radius of intimacy. That is, when you use a 50mm, you are so close that people often stop acting naturally, unless they are a professional model or a natural thespian.
3) If they ARE likely to notice you, be confident and deliberate, softly asking permission with your eyes. This is a very subtle and hard thing to explain. I usually raise my eyebrows while I raise my camera, clearly indicating, “I’m about to take a photo. Everything is okay.” If they don’t want you to, they will make it clear. Usually, they say it’s just fine. People like to be thought of as interesting.
4) If they are very close, I ask permission out loud. Often times, I don’t want them to pose… so I say something (smiling!) like, “You look very interesting — can I take a photo?” Once they say yes (98% of the time they do), I usually ask them not to pose and carry on about their business. Then I start taking a bunch of photos and enjoy the pressure of capturing the moment.
5) Don’t be shy! If you feel overly shy, it may be a larger indication that you are letting fear motivate you rather than the opportunities that life provides. So, if you feel doubt or fear, just try to channel me and be brave and forthright.
Regarding that last one, seriously, folks, just be cool and confident with it. If you want to do it, and it feels right, just do it. Do not worry so much about rejection. Yes, you WILL get rejected 2-10% of the time depending upon how likable you are. Out of 500 people photos, I’ve been rejected maybe 10-13 times. It doesn’t bother me a bit. So what? People say no… big deal. The fact is that MOST people LOVE to have photos taken of them. To be interesting in a world of same-ness is a tremendous thing. Chances are that no one has ever taken a photo of them before, and they will feel special that you thought they were special.
Most of the time, after I take a photo and people look over at me, wondering, “Why did you just take a photo of me?” I usually say, “You look cool!” Or, “You look awesome!” Or, if they don’t speak English, I give them a thumbs up and a facial indication that I think they look cool. 99% of the time, they smile and carry on.
If you’re taking a photo of a kid, just get a steady nod from the parents before. Bend down to take the photo, look up at the parent, saying, “is it okay?” with your eyes. They’ll say yes or no… There is a significant number of moms out there that watch too much sensational news and assume that 50% of the population are pedophiles… but, maybe you’ll hit that other 50%! Again, we’re all just photographers, and if we see a cute or interesting kid, of course we want to take a photo! It’s what we do! There is no need to apologize for it! 🙂
Daily Photo – Salaryman in Tokyo
While I was in the middle of making a time-lapse sequence (see the video below the photo), I was using my D3S on a sling to take quick photos of interesting people. They were everywhere!
Behind me, waiting for the light to change, was this young salaryman. Salaryman is the Japanese word for “businessman”. That word salaryman always cracks me up for some reason. Anyway, he was this young kid, standing there in a most unassuming way in this nice suit. I spun around and grabbed a quick shot.
He looked a little confused at me after I took it. I gave him a nod of thanks, and he smiled in a surprised way then went merrily on his way.
Videos – Life in Japan
While I am busy shooting landscapes and people in Japan, I also take time to make some videos. Below are a few of them from recent past. The music from both is by the great Patrick O’Hearn (buy his stuff!). Enjoy!
My method for getting tripods into cathedrals and shooting is this:
1. Go in the exit and act like you are lost if someone asks
2. Wear a long matrix-coat and stuff your tripod up inside like a shotgun. Try not to walk with a limp.
3. Stride confidently through the crowds like you are in a hurry on a photo assignment.
4. Work your way into the pews and have a seat. You can even pretend to be Catholic and say a few Latin words as you sit down. I suggest "Pater Noster (My Father) or Quid Pro Quo (Rub Beads and go to Heaven)"
5. Slide out the tripod and assemble along the ground, When other parishioners look at you suspiciously, give them the sign of the cross.
6. Watch for old people in the main aisle, because they have trouble getting around tripods. Jump out, take your long exposures at 100 ISO, then sit back down.
7. If security comes to get you, blame Stuck In Customs and that will confuse them long enough so you can make a getaway.
8. Don’t worry about getting caught. The church is much more lenient than they were during the Inquisition. Most big cathedrals do have crypts, but they are full of dead saints and they have never put a photographer in there.
9. If you see a tourist with a tiny camera taking a picture with the flash on, please tell them to stop. The flash does nothing in that situation. It’s just embarrassing for them, really.
10. See #9. It’s your duty to stop tourists from using flashes… next thing you know, they’ll have their flash on when shooting the Eiffel Tower at night.
Daily Photo – Notre Dame of Lyon
I arrived in Lyon today for an upcoming game conference and went to the old medieval section of the city to grab some shots before dinner. This is the interior of the Basilique Notre Dame de Fourvre. It is probably the most lavish and beautiful cathedral I have ever been inside. It beats the other Notre Dame in Paris by a mile. I’ve never been in the Sistine Chapel, which is probably more lavish. I was going to visit it on my last trip to Rome but the Pope died the day I was there… so that one was… busy.